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RENOIR AND SEURAT.
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Compares the two artists.... More...
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Paper Abstract:
Compares the two artists. Their contribution to the new art of 19th Century Impressionism. Contrasts the different styles of Renoir's LUNCHEON OF THE BOATING PARTY and Seurat's A SUNDAY AFTERNOON ON THE ISLAND OF LA GRANDE JATTE. Setting and subject matter of both paintings. Artistic approaches. Use of color and brush stroke.
Paper Introduction:
Renoir and Seurat: A Comparison
Pierre-Auguste Renoir (1841 – 1919) and Georges Seurat (1859 – 1891) were contemporaries whose contributions to the “new art” of the late 19th century were of enormous significance. This brief report will compare a single painting by each artist. Renoir’s Luncheon of the Boating Party (1991) and Seurat’s A Sunday Afternoon on the Island of La Grande Jatte (1884- 1886) were painted at roughly the same time, but the two paintings represent very different styles.
Renoir’s Luncheon of the Boating Party is set in an open air restaurant on the Island of Chatou; it depicts friends of the painter amusing themselves. According to Michael Wood (p. 248), Renoir was fond of images of the happy side of human life and preferred to paint carefree, joyous subjects. He was also
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248). However, hisfigures are arranged more formally, and seem frozen in place rather thancaught in motion. New York: Harcourt, Brace and Company, 1948.Wood, Michael. This brief report will compare asingle painting by each artist. He workedout a system of paining not with the delicate and sweeping crush strokes ofRenoir and others, but rather by putting pigment on canvas in tiny,roundish dots of about equal size, with scientific precision as to thecolor relationship of dot to dot. 255) says that the coloris a complement to the highly rigorous structure of the composition, whichhas a stability and permanence lacking in the work of the Impressionists.The reference here is not to Degas, but to Cézanne. Wood (p. In the work, he transformed the illusion of naturalappearance into a very precise organization composed of people and objects,both of which are solid and arranged with a mathematical precision in adeep space filled with sunlight and air. Seurat,unlike Renoir, attacked the problem from the angle of the psychologicaleffect of line direction and line relationship and the science of relatedcolors. Gardner (p. The two paintings are similar in theme, but radically different interms of form and style. New York: Summit Books, 1989. Georges Seurat's work, known commonly and La Grande Jatte, alsocarries forward the theories of Impressionism (Gardner, p. Renoir's Luncheon of the Boating Party(1991) and Seurat's A Sunday Afternoon on the Island of La Grande Jatte(1884- 1886) were painted at roughly the same time, but the two paintingsrepresent very different styles. Wood (p. Seurat, though the same age asRenoir, falls more properly into the school of the Post-Impressionists. There is, says Wood (p. The painting, which is in the vivid, sun-drenched colorsthat Renoir favored, has as strong diagonal line established by the whitelinen of the tablecloth, around which are arranged a number of standing andseated figures. 248), Renoir was fond ofimages of the happy side of human life and preferred to paint carefree,joyous subjects. Art Through the Ages. 248) states that the casual air, "with a seemingly random gathering of figures, has all the spontaneity of Monet's or Manet's work, but a close study of this picture reveals how carefully Renoir orchestrated his scene, creating the pairings and groupings that order and structure the painting." Helen Gardner (p. 257) a sculpturalquality in Seurat's painting that is not found in that of others whocarried forward the Impressionist project. The asymmetrical design working in ondiagonals, says Gardner (p. Works CitedGardner, Helen. 683). The sharp outlines of Seurat's figures and theirapparent immobility are in decided contrast to the easy, relaxed poses ofRenoir's models and friends. According to Michael Wood (p. 683). Art of the Western World. Seurat was attracted to the color theories of Delacroix. Others in the painting include the actress ElleAndress, Baron Barbier, and Renoir's mode and future wife Aline Charigot(Wood, p. 682) says of this painting that Renoir's primaryinterest was to concentrate on the human figure and its spatialrelationship to other figures. Renoir's Luncheon of the Boating Party is set in an open airrestaurant on the Island of Chatou; it depicts friends of the painteramusing themselves. Renoir's paletteincluded every hue of the spectrum, with hue melting into hue and producinga rich texture while simultaneously constructing solid forms organized intosuave spatial rhythms (Gardner, p. 683), is reminiscent of Degas and Toulouse-Lautrec, "is based on easy movements guided by the figures and stabilizedby repeated verticals." Deep space design is at work in the painting, whichfalls neatly into the main currents of Impressionism. Renoir and Seurat: A Comparison Pierre-Auguste Renoir (1841 - 1919) and Georges Seurat (1859 - 1891)were contemporaries whose contributions to the "new art" of the late 19thcentury were of enormous significance. He was also interested in (and talented at) portraiture;in this painting, seated at the right and wearing a boatman's hat, is theartist Gustave Caillebotte. 684) notes that this style,known as "pointillism", was an enormously difficult procedure, "as severelydisciplined and painstaking as the impressionist method was spontaneous andexuberant." Seurat's painting, like Renoir's shows people at play.
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